Recently back from my trip to eastern India where I had the privilege of visiting the beautiful village of Raghurajpur. The village is known for its unique form of art called Pattachitra, which has been passed down through generations of artisan families. The name Pattachitra comes from the Sanskrit words "paṭṭa" meaning "cloth" and "chitra" meaning "picture". These paintings depict various narratives and folktales from Hindu mythology, making them an important part of the region's cultural heritage.

One of the most striking things about Pattachitra paintings is the materials used to create them. The canvas is made from either cotton or palm leaf, while the colours are made from all-natural materials such as charcoal, powdered seashells, and indigo. This makes the art eco-friendly and sustainable, which is particularly important in a world that is increasingly conscious of environmental issues. 

As I walked through the narrow lanes of Raghurajpur, I was mesmerised by the beauty of the Pattachitra art. Each house seemed to have a unique piece of art displayed outside, drawing me in to admire the intricate details and vivid colours. The art form has a raw, earthy appeal that is truly captivating.

However, my joy at discovering this beautiful art was tempered by a sense of sadness. Despite being recognised as an important cultural heritage of the region, Pattachitra art doesn't receive the support it deserves. The artists, who have been practising this art for generations, struggle to make a decent livelihood from it. While the government has recognised the art form and provides some support, more needs to be done to ensure that it is protected and promoted.

The lack of support is particularly evident when it comes to tourism. Raghurajpur is a small village that doesn't get a lot of visitors, and as a result, the artists don't get many opportunities to showcase their work to a wider audience. There is a real need for more trade and tourist opportunities to be created around Pattachitra art so that the artisans can earn a decent income and the art form can be appreciated by a wider audience.

In conclusion, my visit to Raghurajpur was a truly memorable experience. The beauty of the Pattachitra art and the skill of the artisans who create it are truly remarkable. However, the lack of government support and tourism opportunities for this art is a cause for concern. More needs to be done to protect and promote this art form, not just for its cultural heritage value, but also for its eco-friendly nature. It is my hope that more people will discover the beauty of Pattachitra art and help support the artisans who practise it.